NOW that the BBC and The Guardian have forced the rest of the media to wake up to the hacking scandal, it is time to return to this subject.
I have written before that an Editor ought to know the strength of the source of a story that is being considered for publication.
That is why Andy Coulson had to resign from the News of the World. Either an Editor knows that a story is based on hacking mobile phones, in which he or she is complicit in breaking the law, or not, in which case the Editor is not doing the job properly.
At first sight, Rebecca Brooks, or Ward as she was when she edited The News of the World before Coulson, and later The Sun, seems to be in an untenable position.
As chief executive of News International, the publishing overlords of the two Murdock red-tops, she has now sent an e-mail to all staff saying how appalled she is that murder victim Milly Dowler’s mobile phone was hacked by a private detective working for The News of The World. She pledged that every effort would be made to get to the bottom of this allegation.
Her move comes the same day that it was revealed that the families of the Soham murders may also have had their mobiles hacked, when Ms Wade was editor.
Roy Greenslade, a leading media commentator, and himself a former red-top Editor, has called this e-mail disingenuous.
It is difficult to disagree with his analysis. Whether she knew of such activities or not, she was culpable.
The British Press is one of the most competitive industries in the world. Dirty tricks have become endemic in its fierce culture. A former Sun journalist once told me the only editorial policy worth telling journalists to remember was: Get it first, but first get it right. He might have added the adverb: Legally.
The absence of this qualifying word from the culture of national newspapers has led to subterfuge, bullying and bribery becoming common practice to lesser or greater degrees, depending on which newspaper journalists work for.
Actor Hugh Grant was on 24-hour television last night arguing for a public inquiry not just into the actions of journalists, but also the police for failed previous investigations and politicians for being too buddy with newspapers, particularly Rupert Murdoch’s. He called it a cosy cabal.
He has long led a campaign for protection of privacy, which until recently has been largely restricted to celebrities like entertainers, footballers and politicians.
It is interesting to see where this shift in public opinion may go, with England footballer Rio Ferdinand’s legal action against the Sunday Mirror for reporting his alleged affairs being a good yardstick. It comes to something when Hugh Grant comes to represent the moral compass of the nation. But now that ordinary people are seen to be victims of the phone-hacking scandal, I suspect he represented the views of most of the public. We live in interesting times.
Wednesday, 6 July 2011
Sunday, 3 July 2011
Protesters mingle with shoppers
THE sun shone and the heat of the midday sun made sun cream advisable as the protestors marched down the main shopping mall.
But this was not Syntagma Square, the focus of the Athens riots against austerity measures by the Greek government.
It was the charming market town of Kendal, on the fringe of the English Lake District. Being shire country, petrol bombs and stone throwing were replaced by whistles and slogans shouted over loud-speakers.
There were just two unarmed police officers to ensure the health and safety of the marchers.
But no-one should mistake the civility for lack of passion or underestimate the resolve of the people giving up their Saturday lunch-time to make known their anger.
The marchers were protesting at thousands of teaching assistants and other council employees having their pay cut by up to 30 per cent in an equal pay exercise.
Most of the affected workers are women.
A total of 8,000 workers, employed by one of the smallest counties in Britain, have been given notice of being dismissed and re-employed on new terms and conditions to which they object. That represents half of the total Cumbria County Council workforce, including everyone from social workers to cleaners.
Westmorland and Lonsdale MP, Tim Farron, who joined the march, has warned that the council faces a tidal wave of employment tribunals over the plan for force through a new pay matrix under the single status scheme.
Single Status is the title given to a national agreement between the Labour Government and trade unions back in 1997, which aimed to harmonise terms and conditions of service for public employees, removing any unfairness in pay and rewards arrangements.
The council has already paid out £40m in back-pay, compensation and legal fees, as a result of the exercise.
Teaching assistants from across the county handed over a petition signed by over 1100 local residents to the county council asking them to think again about the single status plans. But the petition was ignored by the Conservative-Labour coalition that runs Cumbria.
Children’s Services cabinet representative, Liz Mallison, said their roles were being reviewed by head teachers, but the dismissal letters would stand.
MPs from across the county decided to write to every other English local authority to ask them for details of their implementation of single status. To date around fifty replies have been received – all indicating that there were either no pay cuts or only minor pay cuts to teaching assistants salaries.
Mr Farron, Liberal-Democrat national president, has written to the leader of Cumbria County Council asking him to call off the deeply controversial and unpopular single status programme.
“I’m sure that this shows that single status is supposed to be a rigorous exercise that harmonises job roles, terms and conditions. It is clear after the conclusion of stage three appeals that there is widespread confusion and dismay amongst county council employees and each section of the process has been rushed, conflicting information has been sent out by your authority,” he wrote.
Most of the staff affected are represented by the public services union Unison, which helped organise yesterday’s march, even though they did not join Thursday’s day of action.
It says it may ballot members for industrial action over Cumbria County Council’s controversial single-status pay review. It says the job-families approach used by Cumbria County Council, which groups together people doing different jobs, is “inherently unfair”.
The average reduction to salaries of the exercise is £3,390 a year. Cumbria’s 3,500 teaching assistants are among the losers. Full-time teaching assistants currently earn between £14,700 and £16,800 a year. The typical salary is likely to fall to £12,500 once single status is implemented.
Employees subject to national agreements like teachers and fire-fighters are not affected.
The teaching assistants have struck an emotional chord with the public because in Cumbria they have been given particular responsibility for children with special needs, meeting parents out-of-hours, adapting curricula to suit their charges and preparing for Ofsted inspections, some working up to 50 hours a week to do so.
A Cumbria County Council spokesman was unrepentant at the letter saying that it was the correct procedure.
“Under single status everyone was reassessed on the same basis in a matrix of jobs, so that there can be no unequal pay claims, which previously cost the county £40 million.
“Everyone is then offered new terms and conditions. If people sign the new contract, that’s fine and it becomes active on October 1, 2011.
“Those staff who haven’t signed, for whatever reason, then we have to give them 90 days notice, which is why the letters are going out now.
“If they turn up for work on October 1, whether they have signed or not, then by default they are accepting the new terms and conditions.”
Human Resources experts warn this strategy could lead to claims of constructive dismissal by those who quit instead of accepting the changes.
One of the affected teaching assistants at the march of around 80 people in Kendal was Sue Ireland of Burneside, who has worked at Sandgate School for 18 years.
“The way Cumbria has implemented single status has been an absolute farce,” she said. “We were all asked to provide evidence of why teaching assistants should be one a higher level of pay, but then we weren’t allowed to attend our own appeals.
“We are not militants. We love our jobs and being there for the children. Cumbria is just devaluing our jobs and professionalism after years of training.”
Mr Farron and the speakers pledged that their fight would go on.
But this was not Syntagma Square, the focus of the Athens riots against austerity measures by the Greek government.
It was the charming market town of Kendal, on the fringe of the English Lake District. Being shire country, petrol bombs and stone throwing were replaced by whistles and slogans shouted over loud-speakers.
There were just two unarmed police officers to ensure the health and safety of the marchers.
But no-one should mistake the civility for lack of passion or underestimate the resolve of the people giving up their Saturday lunch-time to make known their anger.
The marchers were protesting at thousands of teaching assistants and other council employees having their pay cut by up to 30 per cent in an equal pay exercise.
Most of the affected workers are women.
A total of 8,000 workers, employed by one of the smallest counties in Britain, have been given notice of being dismissed and re-employed on new terms and conditions to which they object. That represents half of the total Cumbria County Council workforce, including everyone from social workers to cleaners.
Westmorland and Lonsdale MP, Tim Farron, who joined the march, has warned that the council faces a tidal wave of employment tribunals over the plan for force through a new pay matrix under the single status scheme.
Single Status is the title given to a national agreement between the Labour Government and trade unions back in 1997, which aimed to harmonise terms and conditions of service for public employees, removing any unfairness in pay and rewards arrangements.
The council has already paid out £40m in back-pay, compensation and legal fees, as a result of the exercise.
Teaching assistants from across the county handed over a petition signed by over 1100 local residents to the county council asking them to think again about the single status plans. But the petition was ignored by the Conservative-Labour coalition that runs Cumbria.
Children’s Services cabinet representative, Liz Mallison, said their roles were being reviewed by head teachers, but the dismissal letters would stand.
MPs from across the county decided to write to every other English local authority to ask them for details of their implementation of single status. To date around fifty replies have been received – all indicating that there were either no pay cuts or only minor pay cuts to teaching assistants salaries.
Mr Farron, Liberal-Democrat national president, has written to the leader of Cumbria County Council asking him to call off the deeply controversial and unpopular single status programme.
“I’m sure that this shows that single status is supposed to be a rigorous exercise that harmonises job roles, terms and conditions. It is clear after the conclusion of stage three appeals that there is widespread confusion and dismay amongst county council employees and each section of the process has been rushed, conflicting information has been sent out by your authority,” he wrote.
Most of the staff affected are represented by the public services union Unison, which helped organise yesterday’s march, even though they did not join Thursday’s day of action.
It says it may ballot members for industrial action over Cumbria County Council’s controversial single-status pay review. It says the job-families approach used by Cumbria County Council, which groups together people doing different jobs, is “inherently unfair”.
The average reduction to salaries of the exercise is £3,390 a year. Cumbria’s 3,500 teaching assistants are among the losers. Full-time teaching assistants currently earn between £14,700 and £16,800 a year. The typical salary is likely to fall to £12,500 once single status is implemented.
Employees subject to national agreements like teachers and fire-fighters are not affected.
The teaching assistants have struck an emotional chord with the public because in Cumbria they have been given particular responsibility for children with special needs, meeting parents out-of-hours, adapting curricula to suit their charges and preparing for Ofsted inspections, some working up to 50 hours a week to do so.
A Cumbria County Council spokesman was unrepentant at the letter saying that it was the correct procedure.
“Under single status everyone was reassessed on the same basis in a matrix of jobs, so that there can be no unequal pay claims, which previously cost the county £40 million.
“Everyone is then offered new terms and conditions. If people sign the new contract, that’s fine and it becomes active on October 1, 2011.
“Those staff who haven’t signed, for whatever reason, then we have to give them 90 days notice, which is why the letters are going out now.
“If they turn up for work on October 1, whether they have signed or not, then by default they are accepting the new terms and conditions.”
Human Resources experts warn this strategy could lead to claims of constructive dismissal by those who quit instead of accepting the changes.
One of the affected teaching assistants at the march of around 80 people in Kendal was Sue Ireland of Burneside, who has worked at Sandgate School for 18 years.
“The way Cumbria has implemented single status has been an absolute farce,” she said. “We were all asked to provide evidence of why teaching assistants should be one a higher level of pay, but then we weren’t allowed to attend our own appeals.
“We are not militants. We love our jobs and being there for the children. Cumbria is just devaluing our jobs and professionalism after years of training.”
Mr Farron and the speakers pledged that their fight would go on.
Tuesday, 21 June 2011
Making radio waves
THE LOCAL MP is expending more of his considerable energy trying to save BBC Radio Cumbria from the cuts that the corporation is having to make.
He says the BBC has suggested in its ‘Delivering Quality First’ document that many local programmes could be replaced and only a skeleton local service be maintained.
The BBC is already running pilot schemes for this kind of programme-sharing service in the south-east of England (for drive time on Radio Surrey, Radio Kent and Radio Sussex) and Yorkshire (for mid-afternoon on Radio Sheffield, Radio York and Radio Leeds).
Mr Farron, the Liberal-Democrat member for Westmorland and Lonsdale, argues that BBC Radio Cumbria has a unique role in providing news and information county-wide and has been an extremely important source of information for Cumbrian’s during times of crisis such as the 2001 Foot and Mouth outbreak and 2009 Cumbrian floods.
Unfortunately that assumes that Cumbria needs a county-wide service. Despite almost 40 years of propaganda there is still little evidence that people in Barrow want to know what’s going on in Carlisle, or people in Kendal care about what happens in Workington.
Of course there are examples, like the two cited by Mr Farron, of wider interest, but when that happens the national and regional services are adequate. The rest of the time, Radio Cumbria trots out a never-ending stream of trivial tittle-tattle, more often than not based on national magazines and surveys, and parochial news.
Mr Farron recently wrote to the Chairman of the BBC Trust, Lord Patten, to express his concern about the proposals. He is now asking local residents to email the Director General of the BBC, Mark Thompson, to let him know their views about the plans to axe Radio Cumbria.
A composite service provided for the old county of Cumberland, lumped in with Newcastle and Durham; and for the old county of Westmorland and Lancashire North of the Sands, based in Preston, would far better reflect the actual loyalties and interests of the population.
He says the BBC has suggested in its ‘Delivering Quality First’ document that many local programmes could be replaced and only a skeleton local service be maintained.
The BBC is already running pilot schemes for this kind of programme-sharing service in the south-east of England (for drive time on Radio Surrey, Radio Kent and Radio Sussex) and Yorkshire (for mid-afternoon on Radio Sheffield, Radio York and Radio Leeds).
Mr Farron, the Liberal-Democrat member for Westmorland and Lonsdale, argues that BBC Radio Cumbria has a unique role in providing news and information county-wide and has been an extremely important source of information for Cumbrian’s during times of crisis such as the 2001 Foot and Mouth outbreak and 2009 Cumbrian floods.
Unfortunately that assumes that Cumbria needs a county-wide service. Despite almost 40 years of propaganda there is still little evidence that people in Barrow want to know what’s going on in Carlisle, or people in Kendal care about what happens in Workington.
Of course there are examples, like the two cited by Mr Farron, of wider interest, but when that happens the national and regional services are adequate. The rest of the time, Radio Cumbria trots out a never-ending stream of trivial tittle-tattle, more often than not based on national magazines and surveys, and parochial news.
Mr Farron recently wrote to the Chairman of the BBC Trust, Lord Patten, to express his concern about the proposals. He is now asking local residents to email the Director General of the BBC, Mark Thompson, to let him know their views about the plans to axe Radio Cumbria.
A composite service provided for the old county of Cumberland, lumped in with Newcastle and Durham; and for the old county of Westmorland and Lancashire North of the Sands, based in Preston, would far better reflect the actual loyalties and interests of the population.
Campaign reaches climax
At the risk of sounding like actress Meg Ryan in the film When Harry met Sally when she demonstrates in a crowded cafe how women fake orgasm, I wanted to scream Yes, Yes, Yes on reading reports of a speech by a Government minister this week.
Shadow culture secretary Ivan Lewis was giving a speech at a conference on the impact of MediaCity in Manchester, when he said opponents of the BBC’s decision to relocate parts of its television and radio output to Salford were living in the dark ages and should drop their outdated prejudices against the North of England. Yes.
He said the corporation would be strengthened by employing a more diverse talent pool and viewing events not solely through a London-centric prism. Yes.
Detractors he said should stop seeing Britain as London plus the rest. Yes.
As a freelance based in the Lake District, which attracts 15 million visitors a year, it is so frustrating trying to convince London-based news organisations that events in Britain’s playground are of any interest to their readers, viewers and listeners.
As newspapers have shed jobs, they have less staff based in the North; and they have become totally reliant on the same homogenous diet of politics, celebrity and economy.
They increasingly ignore the lives of real people, and wonder why their sales have plummeted. This trend may not be wiped out by a move to Manchester, but it will break the stranglehold on their imaginations caused by the obsessions of the Capital.
Shadow culture secretary Ivan Lewis was giving a speech at a conference on the impact of MediaCity in Manchester, when he said opponents of the BBC’s decision to relocate parts of its television and radio output to Salford were living in the dark ages and should drop their outdated prejudices against the North of England. Yes.
He said the corporation would be strengthened by employing a more diverse talent pool and viewing events not solely through a London-centric prism. Yes.
Detractors he said should stop seeing Britain as London plus the rest. Yes.
As a freelance based in the Lake District, which attracts 15 million visitors a year, it is so frustrating trying to convince London-based news organisations that events in Britain’s playground are of any interest to their readers, viewers and listeners.
As newspapers have shed jobs, they have less staff based in the North; and they have become totally reliant on the same homogenous diet of politics, celebrity and economy.
They increasingly ignore the lives of real people, and wonder why their sales have plummeted. This trend may not be wiped out by a move to Manchester, but it will break the stranglehold on their imaginations caused by the obsessions of the Capital.
Thursday, 16 June 2011
Proto-feminist remembered
AFTER my story was butchered by the Daily Telegraph in-paper and rewritten on-line, I thought I would publish what I actually wrote.
AN historic picture commissioned to mark the inheritance of five castles by a prototype feminist has been reunited for the first time in its new home.
Lady Anne Clifford defied her father, husband and the first King of England and Scotland for decades to inherit an estate of five great castles across the North of England.
Known as The Great Picture, a remarkable triptych or three-sectioned format typically reserved for religious works, it was commissioned by Lady Anne in 1646 to mark her final succession to the inheritance that she had always felt was rightfully hers.
The redoubtable and determined Lady Anne, countess of Pembroke, Dorset and Montgomery (1590-1676), spent much of her life in a long and complex legal battle to obtain the rights of her inheritance.
Anne Clifford was born at Skipton Castle, the daughter of George Clifford, 3rd earl of Cumberland and his wife Margaret. Her father was an extravagant courtier and naval admiral who had risen to fame within Queen Elizabeth's court as a skilled jouster.
Anne's two brothers died young, leaving her as the only surviving child of the family. She was educated by her mother and by her tutor Samuel Daniel, developing a love of literature, history, the classics and religious works.
When Anne was 15, her father died. She was upset to find that she did not inherit her father's vast estates - the Clifford family lands were extensive and included the great castles of Skipton, Brougham, Brough, Pendragon and Appleby.
George had left these lands and titles to his brother Francis Clifford, leaving Anne £15,000 in compensation, in direct breach of an entail which stated that the Clifford estates should descend lineally to the eldest heir, whether male or female, dating back to the time of King Edward II.
The earl of Cumberland had not recognised the strength and determination of his daughter. From that moment, Anne's mission in life was to regain what she viewed as her rightful inheritance.
Her mother Margaret, as her guardian, initiated claims on Anne's behalf to both the Clifford's baronial titles and the estates, but the earl marshal's court refused the claims in 1606. Margaret's archival researches demolished Earl Francis's case for all the estates in the court of wards in 1607, the judges deciding that the Skipton properties were rightfully Anne's. Her uncle, however, refused to yield up the estates.
In 1609 Anne married Richard Sackville, third earl of Dorset (1589-1624). Her husband took charge of her lawsuits and in 1615 the court of common pleas decided that he and Anne could chose between two different halves of the estates, but could not have all of them. Anne refused to comply - she wanted all of the estates.
Defying the pleas of her husband, and even pleas from King James, she continued to fight and against their wishes, in 1616 she travelled north to see 'her' estates and visit her mother at Brougham Castle, the only person left who supported Anne's claims.
Margaret died a month later. With her death, Anne lost the only person who was prepared to help her fight for her inheritance. She later erected a monument at Brougham, today known as the Countess Pillar, in memory of her mother.
After her mother's death in May 1616 Anne was isolated, but she refused to yield her claim on the estates despite unpleasantness from her husband and incessant pressure from James I's courtiers.
Despite ill health, she refused to accept a settlement of the dispute in February 1617 whereby all the estates were given to Earl Francis and his male heirs, and £17,000 was given in compensation to Anne. Her husband quickly pocketed the money and Anne was left with nothing.
Only in 1643, after the struggle of a lifetime, did Anne regain the Clifford family's lands after the death of her cousin.
After the Civil War, in 1649, when she was 60 years old, Anne moved back to the north. She spent the next 26 years of her life restoring the mostly ruinous family castles to their former glory (Skipton, Pendragon, Appleby, Brough and Brougham Castles). She also built some almshouses for poor widows in Appleby and restored several churches in the area. Anne died in 1676 at Brougham Castle, in the room where her father had been born.
The Lakeland Arts Trust acquired The Great Picture in 1981 to keep it in the North West where Lady Anne had ruled over her estates, and the triptych hung in her castle at Appleby until the late 1990s.
When Appleby Castle closed to the public, the two side panels were installed at Abbot Hall. The central panel, however, posed difficulties for display: it was too large to fit into the Georgian-proportioned building by conventional means.
Apart from a brief period of display at the Tate Gallery in 2004, it has remained in store ever since.
The left side panel of the triptych depicts Lady Anne Clifford at the age of fifteen, when she was disinherited. Portraits of Lady Anne’s governess, Mrs. Anne Taylor, and her tutor, the poet Samuel Daniel, are placed above the shelves of books, which include titles by Ovid, Chaucer, and Cervantes’ Don Quixote. These elements of the composition highlight Lady Anne’s education and refined upbringing.
The right side panel shows Lady Anne in late middle age, when she finally regained the Clifford estates. Portraits of Lady Anne’s two husbands hang behind her: Richard Sackville, third Earl of
Dorset, who died in 1624, and Philip Herbert, fourth Earl of Pembroke and first Earl of Montgomery, died in 1650.
The central panel depicts Lady Anne’s parents, Margaret Russell and George Clifford, third Earl of Cumberland, with her older brothers who did not survive to adulthood: Francis (1584-1589) and
Robert (1585-1591). On the walls behind the family group hang portraits of Lady Anne’s four aunts.
As Lady Anne was not born until 1590, she does not appear in the central panel, but Lady Margaret’s gesture hints that the daughter who would ultimately become the Clifford heir had already been conceived at the time of the original painting.
The triptych has been attributed to Jan van Belcamp (1610-1653), a Dutch artist active in England who was a specialist in this genre.
In order to reunite the three sections, the central panel, which measures over 2.5 metres (9ft) x 2.5 metres, was yesterday (Tuesday) carefully lifted through an exterior window and installed in the refurbished display area at Abbot Hall Art Gallery in Kendal. A team of ten curators, technicians and joiners were on hand to ease it through the window with inches to spare.
New interpretation of the triptych and information on Lady Anne Clifford will set the stage for this magnificent painting to be enjoyed by the public in its complete state, as it was meant to be seen.
A spokesman for Lakeland Arts Trust said: “The triptych contains a wealth of fascinating symbols and references which provide unique insights into the culture of the seventeenth century. The Trust is delighted that this extraordinary painting will be displayed as a whole at Abbot Hall for the first time in its history.”
The costs are being met by author and historian Mary Burkett, who was director of the Trust when they acquired the picture.
She said: “Lady Anne Clifford was a woman of so many qualities with a huge historical influence on literature, art and archaeology. She set an example in how she looked after her staff and properties. She was a real star.”
AN historic picture commissioned to mark the inheritance of five castles by a prototype feminist has been reunited for the first time in its new home.
Lady Anne Clifford defied her father, husband and the first King of England and Scotland for decades to inherit an estate of five great castles across the North of England.
Known as The Great Picture, a remarkable triptych or three-sectioned format typically reserved for religious works, it was commissioned by Lady Anne in 1646 to mark her final succession to the inheritance that she had always felt was rightfully hers.
The redoubtable and determined Lady Anne, countess of Pembroke, Dorset and Montgomery (1590-1676), spent much of her life in a long and complex legal battle to obtain the rights of her inheritance.
Anne Clifford was born at Skipton Castle, the daughter of George Clifford, 3rd earl of Cumberland and his wife Margaret. Her father was an extravagant courtier and naval admiral who had risen to fame within Queen Elizabeth's court as a skilled jouster.
Anne's two brothers died young, leaving her as the only surviving child of the family. She was educated by her mother and by her tutor Samuel Daniel, developing a love of literature, history, the classics and religious works.
When Anne was 15, her father died. She was upset to find that she did not inherit her father's vast estates - the Clifford family lands were extensive and included the great castles of Skipton, Brougham, Brough, Pendragon and Appleby.
George had left these lands and titles to his brother Francis Clifford, leaving Anne £15,000 in compensation, in direct breach of an entail which stated that the Clifford estates should descend lineally to the eldest heir, whether male or female, dating back to the time of King Edward II.
The earl of Cumberland had not recognised the strength and determination of his daughter. From that moment, Anne's mission in life was to regain what she viewed as her rightful inheritance.
Her mother Margaret, as her guardian, initiated claims on Anne's behalf to both the Clifford's baronial titles and the estates, but the earl marshal's court refused the claims in 1606. Margaret's archival researches demolished Earl Francis's case for all the estates in the court of wards in 1607, the judges deciding that the Skipton properties were rightfully Anne's. Her uncle, however, refused to yield up the estates.
In 1609 Anne married Richard Sackville, third earl of Dorset (1589-1624). Her husband took charge of her lawsuits and in 1615 the court of common pleas decided that he and Anne could chose between two different halves of the estates, but could not have all of them. Anne refused to comply - she wanted all of the estates.
Defying the pleas of her husband, and even pleas from King James, she continued to fight and against their wishes, in 1616 she travelled north to see 'her' estates and visit her mother at Brougham Castle, the only person left who supported Anne's claims.
Margaret died a month later. With her death, Anne lost the only person who was prepared to help her fight for her inheritance. She later erected a monument at Brougham, today known as the Countess Pillar, in memory of her mother.
After her mother's death in May 1616 Anne was isolated, but she refused to yield her claim on the estates despite unpleasantness from her husband and incessant pressure from James I's courtiers.
Despite ill health, she refused to accept a settlement of the dispute in February 1617 whereby all the estates were given to Earl Francis and his male heirs, and £17,000 was given in compensation to Anne. Her husband quickly pocketed the money and Anne was left with nothing.
Only in 1643, after the struggle of a lifetime, did Anne regain the Clifford family's lands after the death of her cousin.
After the Civil War, in 1649, when she was 60 years old, Anne moved back to the north. She spent the next 26 years of her life restoring the mostly ruinous family castles to their former glory (Skipton, Pendragon, Appleby, Brough and Brougham Castles). She also built some almshouses for poor widows in Appleby and restored several churches in the area. Anne died in 1676 at Brougham Castle, in the room where her father had been born.
The Lakeland Arts Trust acquired The Great Picture in 1981 to keep it in the North West where Lady Anne had ruled over her estates, and the triptych hung in her castle at Appleby until the late 1990s.
When Appleby Castle closed to the public, the two side panels were installed at Abbot Hall. The central panel, however, posed difficulties for display: it was too large to fit into the Georgian-proportioned building by conventional means.
Apart from a brief period of display at the Tate Gallery in 2004, it has remained in store ever since.
The left side panel of the triptych depicts Lady Anne Clifford at the age of fifteen, when she was disinherited. Portraits of Lady Anne’s governess, Mrs. Anne Taylor, and her tutor, the poet Samuel Daniel, are placed above the shelves of books, which include titles by Ovid, Chaucer, and Cervantes’ Don Quixote. These elements of the composition highlight Lady Anne’s education and refined upbringing.
The right side panel shows Lady Anne in late middle age, when she finally regained the Clifford estates. Portraits of Lady Anne’s two husbands hang behind her: Richard Sackville, third Earl of
Dorset, who died in 1624, and Philip Herbert, fourth Earl of Pembroke and first Earl of Montgomery, died in 1650.
The central panel depicts Lady Anne’s parents, Margaret Russell and George Clifford, third Earl of Cumberland, with her older brothers who did not survive to adulthood: Francis (1584-1589) and
Robert (1585-1591). On the walls behind the family group hang portraits of Lady Anne’s four aunts.
As Lady Anne was not born until 1590, she does not appear in the central panel, but Lady Margaret’s gesture hints that the daughter who would ultimately become the Clifford heir had already been conceived at the time of the original painting.
The triptych has been attributed to Jan van Belcamp (1610-1653), a Dutch artist active in England who was a specialist in this genre.
In order to reunite the three sections, the central panel, which measures over 2.5 metres (9ft) x 2.5 metres, was yesterday (Tuesday) carefully lifted through an exterior window and installed in the refurbished display area at Abbot Hall Art Gallery in Kendal. A team of ten curators, technicians and joiners were on hand to ease it through the window with inches to spare.
New interpretation of the triptych and information on Lady Anne Clifford will set the stage for this magnificent painting to be enjoyed by the public in its complete state, as it was meant to be seen.
A spokesman for Lakeland Arts Trust said: “The triptych contains a wealth of fascinating symbols and references which provide unique insights into the culture of the seventeenth century. The Trust is delighted that this extraordinary painting will be displayed as a whole at Abbot Hall for the first time in its history.”
The costs are being met by author and historian Mary Burkett, who was director of the Trust when they acquired the picture.
She said: “Lady Anne Clifford was a woman of so many qualities with a huge historical influence on literature, art and archaeology. She set an example in how she looked after her staff and properties. She was a real star.”
Tuesday, 31 May 2011
Cricket through transatlantic eyes
THE news that seasoned criminal George Davis has had his conviction for a bank robber y back in 1974 finally quashed by the High Court as unsafe, 37 years later, reminds me of one of the best pieces of journalism I ever read.
In 1975, at the height of the George Davis is Innocent campaign, I was taking a career break and bumming around Europe when I saw a headline in a newspaper on a stand saying something like “English Media’s obsession with dug field”.
Being obsessed with cricket and journalism I had to buy a copy with the few francs I had left.
The newspaper was the International Herald Tribune, a joint venture by American newspaper publishers to produce a newspaper for its ex-pats and travellers in Europe. It had its own office in Paris and told of World events from an American point of view.
The headline referred to the digging up of Headingley’s wicket in the middle of an Ashes cricket Test between England and Australia, thus ruining the match and the series.
Responsibility was claimed by the Free George Davis campaign, otherwise knows for putting graffiti on bridges throughout London and elsewhere.
Not unnaturally this received blitz-style coverage on all the front pages of the newspapers of the day.
The Tribune article was making the point that with all the events going on in the world, including the Labour party’s corruption nemesis at the end of the Poulson affair, English newspapers were somehow strangely obsessed with a cricket “wicket”.
And here is the best bit: the Tribune piece was aimed at Americans, who play baseball not cricket. In baseball the state of the ground between bowler (or pitcher) and batsman (or hitter) is completely meaningless, as long as the pitcher is on a mound.
So to explain the fuss, the article had to go into detail about why the digging up of the wicket mattered, explaining that in cricket the ball usually bounced, what this meant to the trajectory, and so forth.
The story was in that page one anchor slot many serious newspapers use for the off-beat, whimsical tale. But the explanation had to go on for so long the article had to be turned inside.
It was priceless and I often wished I had kept the article as an example of good journalism. Nothing was assumed as known by readers. Everything was explained.
It also provided the ultimate proof that not only are England and America two countries divided by use of the same language, they are also two countries divided by their shared loved of Sport.
Cricket th
In 1975, at the height of the George Davis is Innocent campaign, I was taking a career break and bumming around Europe when I saw a headline in a newspaper on a stand saying something like “English Media’s obsession with dug field”.
Being obsessed with cricket and journalism I had to buy a copy with the few francs I had left.
The newspaper was the International Herald Tribune, a joint venture by American newspaper publishers to produce a newspaper for its ex-pats and travellers in Europe. It had its own office in Paris and told of World events from an American point of view.
The headline referred to the digging up of Headingley’s wicket in the middle of an Ashes cricket Test between England and Australia, thus ruining the match and the series.
Responsibility was claimed by the Free George Davis campaign, otherwise knows for putting graffiti on bridges throughout London and elsewhere.
Not unnaturally this received blitz-style coverage on all the front pages of the newspapers of the day.
The Tribune article was making the point that with all the events going on in the world, including the Labour party’s corruption nemesis at the end of the Poulson affair, English newspapers were somehow strangely obsessed with a cricket “wicket”.
And here is the best bit: the Tribune piece was aimed at Americans, who play baseball not cricket. In baseball the state of the ground between bowler (or pitcher) and batsman (or hitter) is completely meaningless, as long as the pitcher is on a mound.
So to explain the fuss, the article had to go into detail about why the digging up of the wicket mattered, explaining that in cricket the ball usually bounced, what this meant to the trajectory, and so forth.
The story was in that page one anchor slot many serious newspapers use for the off-beat, whimsical tale. But the explanation had to go on for so long the article had to be turned inside.
It was priceless and I often wished I had kept the article as an example of good journalism. Nothing was assumed as known by readers. Everything was explained.
It also provided the ultimate proof that not only are England and America two countries divided by use of the same language, they are also two countries divided by their shared loved of Sport.
Cricket th
Cheryl pet had nay chance
(Sorry this was due to be posted in May but Blogspot’s problems intervened)
No one should be surprised by the decision to drop Cheryl Cole as judge on the US version of The X Factor.
The Geordie songbird may have been taken to the hearts of the fans of the British version of the programme, but reports suggest that not only is she not glamorous enough for Fox TV, she is also unintelligible to American audiences.
If the Americans needed sub-titles for the film The Full Monty, which they did even though that featured the relatively mild accent of South Yorkshire, then they would have had no chance with the Tyneside version of English.
By a strange co-incidence the news broke almost exactly a year after the tragic killing spree in the Whitehaven district of West Cumbria by crazed gunman Derrick Bird.
I was employed by the National Broadcasting Corporation to mind and support their TV crew when they came up to the port on the day after the deaths.
They charged me with finding eye-witnesses willing to be interviewed.
Imagine how pleased I was when I found a taxi driver who not only knew Bird well, but also saw some of the shootings, and was willing to be interviewed on camera.
I rushed back to the reporter and crew, dragged them to the rank where he was sitting in his cab and cameras rolled as he gave a blow by blow account.
After about five minutes the Americans called wrap and wandered off. I proudly asked if they were pleased only to be told that no, the interview was useless.
“Why?” I asked in disbelief. “Because no one in America would have understood a word he said,” I was told, “and we don’t do sub-titles on news reports.”
If the West Cumbrian burr was beyond our transatlantic cousins, then Cheryl would have nay chance.
No one should be surprised by the decision to drop Cheryl Cole as judge on the US version of The X Factor.
The Geordie songbird may have been taken to the hearts of the fans of the British version of the programme, but reports suggest that not only is she not glamorous enough for Fox TV, she is also unintelligible to American audiences.
If the Americans needed sub-titles for the film The Full Monty, which they did even though that featured the relatively mild accent of South Yorkshire, then they would have had no chance with the Tyneside version of English.
By a strange co-incidence the news broke almost exactly a year after the tragic killing spree in the Whitehaven district of West Cumbria by crazed gunman Derrick Bird.
I was employed by the National Broadcasting Corporation to mind and support their TV crew when they came up to the port on the day after the deaths.
They charged me with finding eye-witnesses willing to be interviewed.
Imagine how pleased I was when I found a taxi driver who not only knew Bird well, but also saw some of the shootings, and was willing to be interviewed on camera.
I rushed back to the reporter and crew, dragged them to the rank where he was sitting in his cab and cameras rolled as he gave a blow by blow account.
After about five minutes the Americans called wrap and wandered off. I proudly asked if they were pleased only to be told that no, the interview was useless.
“Why?” I asked in disbelief. “Because no one in America would have understood a word he said,” I was told, “and we don’t do sub-titles on news reports.”
If the West Cumbrian burr was beyond our transatlantic cousins, then Cheryl would have nay chance.
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